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Homefront is a 2013 action thriller directed by Gary Fleder, written by Sylvester Stallone, and adapted from the novel by crime writer Chuck Logan. Jason Statham plays Phil Broker, a former DEA agent who moves to small-town Louisiana with his daughter and ends up in a war with a local meth operation, with James Franco as Gator, alongside Winona Ryder, Kate Bosworth, Frank Grillo, Clancy Brown and Izabela Vidovic as Broker’s daughter.
The first thing worth knowing is why this film exists at all, because the answer is better than the film’s marketing ever suggested. Sylvester Stallone adapted Chuck Logan’s novel himself, with the intention of playing Broker. The project then stalled and was shelved entirely. It only came back to life because Stallone and Jason Statham got talking about it during one of the Expendables shoots, at which point Stallone handed the role over and stayed on as producer. It is also, notably, the first screenplay Stallone ever wrote that he did not go on to act in.
Now, the main argument, which I will make properly. Jason Statham will go down as one of the greatest action stars we have ever had. None of his films will ever be regarded as masterpieces, and I want to be clear that I think that is entirely beside the point. They are in a class of their own. They are fun, they are exciting, and they are exactly what they present themselves as being, with no pretence and no apology. What more is anybody actually asking for.
I am also not alone in that position. One reviewer of this film wrote that if you can arrive at the understanding that you are getting a Statham action flick, nothing more and nothing less, you will ease up enough to have a good time. Another described the film as hilariously stupid garbage that will delight Statham fans and annoy everybody else, which I would argue is simply a description of the job being done correctly.
I genuinely think everybody in this cast did well. The ensemble is far deeper than this sort of film normally gets, with Winona Ryder, Kate Bosworth, Frank Grillo and Clancy Brown all turning up, and reviewers at the time noted that several of them were arguably too good for the material. Izabela Vidovic as Broker’s daughter was also singled out by more than one critic, and the father-daughter relationship is handled with more care than the genre usually bothers with. Roger Ebert’s site observed that Fleder draws a moving and believable relationship out of what is, on paper, a widower-dad cliché.
The action set pieces are put together properly, too. Statham is an accomplished fighter and stuntman and those skills are well used throughout.
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Reviewed on October 20, 2026
And even though I am not the biggest James Franco fan, he put in a shift here as Gator.
That turns out to be a genuinely divided opinion, and I enjoyed discovering which side I had landed on. Variety’s review claimed Franco mostly seems to be biding his time, bored with both the part and the film containing it. But a substantial number of other reviewers went the opposite direction entirely, saying he nearly steals the film out from under Statham, that his ice-cold meth-dealer antics are the best performance in the picture, and that his face is the most punchable of all, which in a villain I take to be high praise. I am on that side of the split and I feel comfortable there.
The one criticism that surfaces repeatedly is Statham’s American accent. One reviewer described it as commuting alarmingly between Derbyshire and generic American. Another simply called it a disappearing American accent. I find that genuinely funny, because I usually spend these reviews complaining about Australian actors who cannot hold an American accent. This time it is an Englishman, and the complaint is identical.
Gary Fleder’s direction also divided people. Variety accused him of making an incoherent jumble of the action and reducing his best asset to a blur of quick cuts and swoosh pans, particularly in the murky bayou climax. Roger Ebert’s site took almost the opposite view, writing that Fleder directs this like he gives a damn and shows real relish in depicting Broker’s slow return to violence. My own experience sat closer to the second.
There will come a time when we genuinely miss films like this. Mid-budget, unfussy, competently made action pictures with a real cast, made for adults, that exist simply to be enjoyable for ninety minutes and then leave.
Thankfully, that time is not today.
The Verdict
7/10 — Recommended
2026
Streaming on · US